Stahmann, Charlotte N.; Müller, Dominik; Storevik-Tveit, Eva; Demuth, Petra; Ferreira, Ester Simoes B:
Nano-Computed Tomography as a Tool for the Morphological Characterisation and Validation of Paint Mock-Ups
In: International Journal for Conservation Science: IJCS, Jg. 13, Heft Special Issue 1, S. 1535 - 1552
2022-12Aufsatz / Artikel in ZeitschriftOA Gold
Fakultät für Kulturwissenschaften » Institut für Restaurierungs- und Konservierungswissenschaft
Titel:
Nano-Computed Tomography as a Tool for the Morphological Characterisation and Validation of Paint Mock-Ups
Autor*in:
Stahmann, Charlotte N.;Müller, Dominik;Storevik-Tveit, Eva;Demuth, PetraTH Köln
DHSB-ID
THK0001441
SCOPUS
57219385938
Sonstiges
der TH Köln zugeordnete Person
;
Ferreira, Ester Simoes BTH Köln
DHSB-ID
THK0002798
SCOPUS
56212662300
Sonstiges
der TH Köln zugeordnete Person
Veröffentlicht am:
2022-12
OA-Publikationsweg:
OA Gold
Sprache des Textes:
Englisch
Schlagwort, Thema:
Paint mock-ups; Morphology; Porosity; Nano computer tomography; Synthetic ultramarine blue pigment
Ressourcentyp:
Text
Access Rights:
Open Access
Peer Reviewed:
Peer Reviewed
Praxispartner*in:
Ja
Kategorie:
Forschung
Teil der Statistik:
Teil der Statistik

Abstract in Englisch:

The development of new conservation treatments is ideally carried out on model systems, so-called mock-ups, thus avoiding direct testing on cultural heritage objects. Additionally, mock-ups allow for statistically significant test results as they provide unlimited, reproducible test material. They are prepared with similar or same classes of materials as identified in the objects they try to mimic. In the case of paint mock-ups, used for the development and assessment of consolidation methods, the creation of model systems with similar morphology, including porosity, is optimal, even if technically challenging. To produce paint mock-ups, representative for a painted area of the painting “Beach Landscape with Trees and Boats” (1905-06) by Edvard Munch, microsamples of the target area were analysed with a combination of analytical methods. FTIR and Py-GC-MS were used for the identification of pigment and binder and nanocomputed X-ray tomography (nano-CT) for the characterisation of the porosity. The pigment and binder were identified as synthetic ultramarine blue and casein, respectively. The pigment-binder ratio was estimated based on the FTIR spectra. According to the results, three mock-up types were prepared with three different types of synthetic ultramarine blue pigments: two commercially available and one historical synthetic ultramarine blue pigment from the MUNCH’s collection of historical art materials by E. Munch. To compare their porosity, tomography on samples of the original and the three mock-up types was performed using a laboratory-based nano-CT setup. The results showed that all tested synthetic ultramarine blue pigments have distinct particle size distributions. Thus, none of the model systems exactly could reproduce the porosity found in the original. However, the combination of results on chemical composition, approximate pigment-binder ratio, porosity, and pigment particle size distribution allowed the selection of the model system which properties were closest to those of the original.